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Eagles of Death Metal’s Role in the Paris Attacks
Continuing with Dr. Horowitz’s Interview, Here Are More Clues That The Eagles of Death Metal Played a Vital Role in the Paris Attacks
by Sherri Kane
(11-14-15)
TO VIEW PARIS ATTACKS VIDEO CLICK HERE
“The Eagles of Death Metal are not a death metal band” at all, wrote Bonnie Faller hours after the Paris attacks in her review in Hollywood Life. “They actually play music which can be described as ‘bluegrass slide guitar mixed with stripper drum beats and Canned Heat vocals.’”
Band leaders in EODM appear to have contrived their name in “bad faith” to confuse people, and profit from the global popularity and goodwill established by The Eagles. At the same time EODM engaged and enraged young people, who unwittingly bought-into this arguably most demonic form of music–‘death metal.’
“The third clue,” Dr. Horowitz continued, “is the rapid and clearly undeserved financial success the “Eagles of Death Metal” band gained. As soon as they produced their first deceptive album they achieved tremendous multi-national corporate support. They were instantly embraced by many of the world’s most profitable global corporations. The band was used or abused in advertising everything from beer to sports cars.”
Indeed, the Eagles of Death Metal’s debut album in March 2004, titled “Peace, Love, Death Metal,” instantly became a Madison Avenue favorite.
“Only nepotism and slick agenting, not luck” Dr. Horowitz continued, “explains the immediate use of tracks from EODM’s debut album in American television commercials.” A search on the Internet reveals the band’s commercial exploitation by Ask.com, Comcast, Payless ShoeSource, Nissan Motors, Budweiser, Pontiac Motors, Wendys, as well as in the trailer for the film Thank You for Smoking and for a promotional disc for the film Grindhouse.
Wikipedia reported that in 2006 the “Eagles of Death Metal” opened for Guns N’ Roses, but were not re-booked. Axl Rose referred to the band as “Pigeons of Shit Metal” from the stage that night.
“The fourth clue is the title of EODM’s first album,” Dr. Horowitz advised, ‘Peace, Love, Death Metal.’ ” It is a classic “Hegelian dialectic.”(2) It contrasts “peace” and “love” with “death”–a mind-control technique supplemented by nonsensical lyrics.”
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“This is a politically-contrived mass murder to promote an increasingly militaristic racketeering enterprise psycho-pathically-invested in death commerce, including the world of so-called ‘entertainment.'”
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I asked the Harvard-trained behavioral science expert to explain the “Hegelian dialectic.” He told me it is a mind-numbing ploy to confuse people and make them increasingly susceptible to simply “dropping out,” general apathy, and cultural degeneration.
“The Paris attacks provide a classic double Hegelian dialectic,” Dr. Horowitz explained. “The basic dialectic for social engineering, or behavioral conditioning, and ‘population control’ advances a ‘thesis’ such as ‘peace and love’ followed by the ‘anti-thesis’ of ‘death.’ The combined association of opposite, good vs. bad, resulting in what is called ‘synthesis’ in behavioral science. ‘Synthesis’ is where you are so confused by opposites everything becomes distorted, and you become disoriented. You then drop out. Consumers become mentally exhausted and emotionally distressed, so everyone gets fed up and eventually tunes-out all related messages. The programmers consequently achieve their objectives, railroading society into docile acceptance of policies that would otherwise be opposed. People become apathetic and politically inactive. In this case, peace and love activists are disabled by the repeated messages linking peace and love to death.
“That’s more evidence EODM was funded and managed as a virtual PSYOPS–a damaging psychological operation.”
“Also in this case,” the expert media analyst continued, “you have a second Hegelian dialectic. You have the great American Eagles band, loved and respected worldwide, reflecting the traditional American values of love, peace, freedom, and independence, instantly smeared by deadly terrorizing impositions and demonic cult deceptions, including the abuse of their brand name by virtual impostors in a death cult–singing unintelligible lyrics that betray The Eagles good will, great reputations, and creative artistry.
“The fifth clue is EODM’s untimely presence at the heart of the Paris attacks. I knew they delivered the main political message and mission of this terrorism. But the odds that they would be booked at ground zero, with shooting starting while they were just finishing their set, was too much corroborating evidence for me. I needed to find out who their manager is, and what company he representsed in search of more clues.
“I read the New York Times article about EODM, just finishing its seventh song, a sick performance of ‘Kiss the Devil.’ It was interrupted by gunfire.” A related article presents the demonic lyrics being sung at the precise time the “human sacrifices” began “on cue.”
“Most recently, interviews with eye-witnesses compounded evidence corroborating my hunch that EODM was “set-up” to be part of the “blood sacrifice.”
– End –
Copyright © 2015, by Sherri Kane and Leonard G. Horowitz, all rights reserved. Permission is granted to reprint sections of this article with proper attributions and website links.
More Articles in this Series:
CLICK HERE to Return to Feature Story, or
CLICK HERE to compare lyrics written by the Eagles, and those sung by EODM.
CLICK HERE to read “The Healing Codes ‘Key’ Connection to the Paris Attacks.
CLICK HERE to read 10 more facts evidencing the Paris attacks administered a false flag event.
CLICK HERE to read “Qatar-Bataclan Sale on 9-11 Evidences Conspiracy in Paris Attacks.”
CLICK HERE to read about eye-witness interviews and complicity in the conspiracy by the Militant Media.
FOOTNOTES:
(A) The teens and young adults, effectively made “zombies” don’t realize that their entire culture, including their resistance to Big Commerce, has been engineered. And that they way the act, and the culture they “enjoy,” is a con; having the precise impact on people designed by Madison Avenue, to gain the puppeteers wealth and power over the masses who have been conditioned to act tough, be stupid, and drop out.
ABOUT THE AUTHOR:
If you do a Google search on Sherri Kane, you will probably notice she has been widely defamed by a seemingly large group of racist, anti-Semitic, and sexist men who obviously feel their lives spent on the Internet libeling her is a profitable pastime.
Here are some political reasons why:
Sherri Kane is America’s gutsiest investigative journalist, news commentator, psycho-social analyst, and political activist, specializing in uncovering what predators do to women, children, and even animals. She exposes human and animal rights violators, child sex traffickers, and human slavery networks, several involving high ranking government officials.
Sherri does not hesitate to investigate, analyze, and vet the dark world of government and intelligence agencies’ corruption, and agents’ complicity in organized crimes. She refutes the propaganda published to manipulate and damage people, and exposes what is being concealed by the FBI/CIA’s COINTELPRO (that was supposed to have stopped abusing people and depriving human rights in 1976 by Acts of Congress). Sherri delves into conspiracy realities so dark that very few people dare to study them.
For instance, you may have heard of the political fracas involving certain members of Congress, a high ranking official in the Republican Party, and the mysterious disappearances and abuses of children at “Boys Town” in Nebraska, called “The Franklin Cover-up.” Thanks to Ms. Kane’s heroic investigative reporting, the matter has now been exposed as “The Franklin Double-coverup.”
You may recall the Gulf Oil Crisis, maybe even the extensive coverage Jesse Ventura and TruTV gave to the “Conspiracy Theory” implicating Halliburton, BP, and TransOcean in the intentional explosion and environmental devastation. Ms Kane sourced the story and appears on the segment.
Sherri wrote the foreword to Dr. Horowitz’s music-industry-transforming book, The Book of 528: Prosperity Key of Love. and co-produced and is co-starring in Dr. Horowitz’s controversial docu-comedy PHARMAWHORES: The SHOWTIME Sting of Penn & Teller, winner of the 2010 Accolade Award for “Uniqueness in Documentary Film-making.”
Ms. Kane is the Vice President of Medical Veritas online journal, has published works in newspapers, magazines and many websites, and has been interviewed worldwide including on Al Jazeera’s A9 Turkey, The Veritas Show, the BBC’s Talk Radio Europe, Late Night In The Midlands, WAC Connecticut, LA Talk Radio, and many others. She co-hosts the Hollywood Spin series of film reviews with Dr. Horowitz viewed on RevolutionTelevision.net and Vimeo’s Revolution Television Channel. Ms. Kane also co-hosted The HOROKANE Hour on LNM Radio Network with Dr. Leonard Horowitz, and co-wrote Space Pearl Harbor, reviewed in the 39-minute news program seen HERE.
Sherri is currently collaborating with Dr. Horowitz on various projects including Healthy World Organization (HWO), the alternative to the corrupt World Health Organization (WHO), HealthyWorldAffiliates.com, and advancing the power of “528 Hz” frequency for global healing, as evidenced at 528Records.com, 528Radio.com, and 528Revolution.com.
E-mail inquiries to SherriKane@gmail.com.